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MONOCEROS Imaginary_EP
inr000
MONOCEROS Tales For Silent Nights
inr001
5ALAD [º_O]
inr002cdr
5ALAD Over mini-pop
inr003cdr
5ALAD Electro faith
inr004cdr
FLÜOR The Pleasure Is Mine
inr005cd
.EXE 5alad vs .EXE - Asid Disto Fun!
inr006D
MONOCEROS Tales From Late Night Remixes
inr007D
MONOCEROS I Feel Apocalyptic Today
inr008CD
MONOCEROS I Feel Apocalyptic Photographs & CD
inr008pho
WEST POINT Leaf EP
inr009cdr
HEEZEN Golden Flow
smon001cdr
RESPONSE Reflect
inr010cdr
SR. AYE Nocturnal Habits
inr011cdr
SINTETIC-COLLAGE Assisted Residence
s.mon002cdr
5ALAD Low res. graphics
inr012cdr
5ALAD Low res. graphics (DVD)
inr012dvdr
PHANTASYSTEM Layers Of Silence
inr013cdr
MONOCEROS A Glorious Afternoon
inr014cdr
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Layers Of Silence PHANTASYSTEM "Layers Of Silence"
PhantaSystem are Jônatas Protes (music) and Cris Rissatto (visuals).
Jônatas Protes is a 25 year old german literature student who started doing electronic music in 2007 influenced mostly by IDM sounds (Aphex Twin, Boards of Canada, Crisopa, Ghostly International and n5MD are in his list of influences), and the rhythms of his environment, in Araraquara (São Paulo), Brazil.
He mainly uses laptop and virtual soft to make his music, defined by himself as fusing ambient music, shoegazer textures, vaporous melodies and complex – sometimes almost chaotic – drum patterns that reminds in some parts the percussions from the place he comes from (Sapphx), contrasting with other spacious tracks filled with synths and melody (Butterflies Ballet).
We can say that this is a kind of IDM, but, as we usually try to do, with a special touch because his cultural heritage and influences.

Cris Rissatto is an autodidact media artist in charge of the visual work (in live sets, images of the cover) and they work both sides close, music and images.

"Layers Of Silence" was released as a 5 track demo in 2009, and now, as his official debut, a 7 tracks EP / CDr 3" with some previously unreleased titles.

CDr 3". RELEASE DATE: MAY-31-2010

LINK TO COMPRESSED FILE | LINK TO THEARCHIVE.ORG

Read a review at: Norman, Linus